thematic analysis Videos

A DAY IN CAIRO ( EL-GAMALIYA - ONE-)

A DAY IN CAIRO ( EL-GAMALIYA - ONE-)

in the discussions. The program focussed on the two primary parts of the Historic Cairo Restoration Program (HCRP), in place since May of 1998. The first is nothing less than a massive intervention which will restore 149 monuments by 2004. Thematic sessions on the techniques of conservation and structural consolidation were presented, as well as technical workshops on specific projects currently being implemented by the Supreme Council of Antiquities. Here the problems of the rising ...

Author: HR1456; Tags: CAIRO EL-GAMALIYA ONE

Ars Electronica Showcase (long version | EN)

Ars Electronica Showcase (long version | EN)

tourism. Its history is impressive proof that Ars Electronica has never sealed itself off in an ivory tower. Its interdisciplinarity, its openness to new trends and its confrontation with visions of future developments have in the final analysis always had one essential focus: their impact on our society. Thus, in spite of all the techno-imagery and machinery, the human being ultimately occupies the center of attention in this encounter—the human being as artist, worker, manager and ...

Author: ramsy2; Tags: Ars Electronica Prix Ars Electronica Festival Ars Electronica Ars Electronica Center AEC Museum of the Future Ars Electronica Futurelab Ars

Ars Electronica Showcase (short version)

Ars Electronica Showcase (short version)

tourism. Its history is impressive proof that Ars Electronica has never sealed itself off in an ivory tower. Its interdisciplinarity, its openness to new trends and its confrontation with visions of future developments have in the final analysis always had one essential focus: their impact on our society. Thus, in spite of all the techno-imagery and machinery, the human being ultimately occupies the center of attention in this encounter—the human being as artist, worker, manager and ...

Author: ramsy2; Tags: ars electronica prix ars electronica ars electronica festival ars electronica center aec ars electronica futurelab futurelab

Ars Electronica Showcase (long version)

Ars Electronica Showcase (long version)

tourism. Its history is impressive proof that Ars Electronica has never sealed itself off in an ivory tower. Its interdisciplinarity, its openness to new trends and its confrontation with visions of future developments have in the final analysis always had one essential focus: their impact on our society. Thus, in spite of all the techno-imagery and machinery, the human being ultimately occupies the center of attention in this encounter—the human being as artist, worker, manager and ...

Author: ramsy2; Tags: ars electronica prix ars electronica ars electronica festival ars electronica museum aec ars electronica futurelab futurelab

SCHNITZEL#1

SCHNITZEL#1

Second Year Thematic Studio FIrst Etude - Presentation Of Sound Visual Analysis

Author: Rkfd777; Tags: SCHNITZEL#1

the library of babel

the library of babel

. Visitors may walk on this floor, activating the video projections. These have various visual and conceptual themes such as landscapes, nudes, portraits, news and business. When (several) people walk the floor, new patterns emerge of thematically and visually structured series of images. The patterns are created in realtime by a computer using image-analyses software. The installation "The Library of Babel" is based on the story of the same title by Jorge Luis Borges, describing an ...

Author: geertmul; Tags: interactive art library babel new media kunst interactief generatief ron mandos

Hendrik Andriessen - Symphony No. 3 - 1. Ouverture

Hendrik Andriessen - Symphony No. 3 - 1. Ouverture

composition with Bernard Zweers at the Amsterdam Conservatory, and in 1913 he succeeded to his father's appointment as organist in Haarlem. In 1927 Andriessen gave up his job as a journalist on the local Haarlem newspaper to teach composition and analysis at the Amsterdam Conservatory, concurrently teaching the organ, improvisation and Gregorian chant at the Roman Catholic School for Church Music, Utrecht. He was made organist of Utrecht Cathedral in 1934 and, three years later, director of ...

Author: nichtschleppen; Tags: hendrik andriessen dutch composer symphony symfonie radio filharmonisch orkest jean fournet ouverture

Hendrik Andriessen - Symphony No. 3 - 2. Sonata

Hendrik Andriessen - Symphony No. 3 - 2. Sonata

composition with Bernard Zweers at the Amsterdam Conservatory, and in 1913 he succeeded to his father's appointment as organist in Haarlem. In 1927 Andriessen gave up his job as a journalist on the local Haarlem newspaper to teach composition and analysis at the Amsterdam Conservatory, concurrently teaching the organ, improvisation and Gregorian chant at the Roman Catholic School for Church Music, Utrecht. He was made organist of Utrecht Cathedral in 1934 and, three years later, director of ...

Author: nichtschleppen; Tags: hendrik andriessen dutch composer symphony symfonie radio filharmonisch orkest jean fournet sonata

Hendrik Andriessen - Symphony No. 3 - 3. Sarabande

Hendrik Andriessen - Symphony No. 3 - 3. Sarabande

composition with Bernard Zweers at the Amsterdam Conservatory, and in 1913 he succeeded to his father's appointment as organist in Haarlem. In 1927 Andriessen gave up his job as a journalist on the local Haarlem newspaper to teach composition and analysis at the Amsterdam Conservatory, concurrently teaching the organ, improvisation and Gregorian chant at the Roman Catholic School for Church Music, Utrecht. He was made organist of Utrecht Cathedral in 1934 and, three years later, director of ...

Author: nichtschleppen; Tags: hendrik andriessen dutch composer symphony symfonie radio filharmonisch orkest jean fournet sarabande

Hendrik Andriessen - Symphony No. 3 - 4. Fuga

Hendrik Andriessen - Symphony No. 3 - 4. Fuga

composition with Bernard Zweers at the Amsterdam Conservatory, and in 1913 he succeeded to his father's appointment as organist in Haarlem. In 1927 Andriessen gave up his job as a journalist on the local Haarlem newspaper to teach composition and analysis at the Amsterdam Conservatory, concurrently teaching the organ, improvisation and Gregorian chant at the Roman Catholic School for Church Music, Utrecht. He was made organist of Utrecht Cathedral in 1934 and, three years later, director of ...

Author: nichtschleppen; Tags: hendrik andriessen dutch composer symphony symfonie radio filharmonisch orkest jean fournet fuga

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