Arnold Schoenberg, Wind Quintet Op. 26 iii. Etwas langsam Basel Ensemble
new instrumental combinations), and who also directed the first performance in Vienna, maintained in 1925 that the use of classical formal modeln, ie the return to the sonata principle (first movement in sonata form, scherzo, slow movement, rondo) represented a moment of balance, 'in order to remain comprehensible despite these preconditions [of the twelve-tone method]'. Theodor W. Adorno claimed that it was evident from the 'exploded sonata' how, despite the renunciation of traditional ...
Author: lendallpitts; Tags: Arnold Schoenberg Wind Quintet twelve-tone Holliger Tunemann Adorno Traunsee langsam Bläser
