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Fallon invited A-Bomb to curate the music and spoken word for Juan Cabral's latest campaign for Sony and we embraced the opportunity to showcase a diverse and creative playlist of music from both well-known and underground artistes. The unique and ambitious project saw a small village in Iceland transformed into an extraordinary sound installation for a week and required a mountainous music research and licensing operation by A-Bomb.

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Another opportunity for A-Bomb to demonstrate how great, creative sound design can tell a story. Enrico Balleri, Nike Global Advertising Football Director says "This campaign gets under the skin of football and finds out what makes the top players tick. It explores the ability these players have to make the difference every time they strap their boots on."

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A-Bombs original music score to Keijis portrayal of TBWA\London's campaign theme This Is Living is deliberately contradictory, its belligerent percussion and warrior-like vocal delivery at odds with Keijis ice cool exterior as he plunges his bare hand into boiling water. A-Bomb composers Peter Challis and Marc Teitler extracted a magnificent performance from Japanese percussionist Joji Hirota to achieve this vigorous and distinctive score.

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It was A-Bomb's job to seamlessly re-arrange the Can-Can, Jacques Offenbach's rousing exerpt from 'Orpheus In The Underwold' to support Johnny Green's dynamic and fast-paced film for Wieden + Kennedy. We recorded the soundtrack using eighty of Europe's finest symphony orchestra players, adding a new, suspenseful intro and accompanying sound design.

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A-Bomb's brief from Wieden + Kennedy for this installment in the 'Make The Difference' campaign shot by Malcolm Venville, was to get inside Andrei Arshavin's head and use sound design to convey the exceptional strength of purpose that can surmount pain and probability to win a match. Enrico Balleri, Nike Global Advertising Football Director says "This campaign gets under the skin of football and finds out what makes the top players tick. It explores the ability these players have to make the ...

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A-Bombs original music score for Ogilvy Advertising's campaign to launch Unilever's Comfort Naturals Range deftly propels the narrative of our heroine transcending a horrible, synthetic world into a beautiful, natural one. The choice of identifiably traditional music composition and acoustic instrumentation matches Yves Geleyns charming animation style and aligns perfectly with the Naturals Range's intended product differentiation.

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A-Bomb completes Tom Kuntz's stylish homage to Hitchcocks iconic film thrillers with a gripping orchestral score for Wieden + Kennedy which offers a reverential nod to the great movie soundtracks of Bernard Hermann. Building on the dramatic tension of our heros craving for a Coke, the emotive music score sets a tone, a mood and a suspense that audiences around the world can instantly understand.

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Devising and producing an array of original, plausible voices for contrasting advanced technology creatures who are required to convey both emotion and unique character is very tricky and creative work... and a whole lot of fun! More great sound design from A-Bomb for Bartle Bogle Hegarty.

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This Olympic Games in Beijing mark the 80th anniversary of superbrand Coca Cola's involvement with the competition, which began with a small Coke kiosk at the Amsterdam Games in 1928 and continues with this TV campaign from Wieden + Kennedy; a stylish, upbeat animation from Partizan directors Eric Lerner and Thomas Hilland. The live instrumentation of the exuberant and bouncy big band soundtrack nimbly supports the tale of plucky little birds from all corners of the earth who gather in ... a ...

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For this brand film, Orange's brief was to illustrate their vision that together we can do more. In Fallon's resulting TV executions, director Noam Murro gracefully presents the acquaintances and loves who help make up the personality of each individual. The deliberately contemporary soundtrack balances the credence of the Orange brand with the warmth the of the dialogue, thereby underscoring the narrative whilst underlining the inclusive positivity of the message. ... a-bomb music orange ...

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