TONY PONCET et NADIA GRANOR CAVALLERIA RUSTICANA Duo Santuzza Torrido Tony Poncet, toujours dans le même Cavalleria à Aix, cette fois en compagnie de la très belle chanteuse Nadia Granor Enregistré au Théâtre municipal d'Aix en Provence vers 1966 ou 1967
Author: moiselechat; Tags: TONY PONCET NADIA GRANOR CAVALLERIA RUSTICANA opéra Mascagni
Cavalleria Rusticana : Scène Torrido-Alfio et adieux de Torrido, interprété par Tony Poncet au théâtre municipal d'Aix en Provence en 1966 ou 1967 (date incertaine) A noter que Tony Poncet chantait aussi ce soir là Paillasse , ainsi qu'il le faisait couramment La distribution était : Tony Poncet : Torrido Nadia Granor : Santuzza Raymond Renaud : Alfio Josette Luigi : mamma Lucia Magali Campana : Lola Orchestre et choeurs de l'Opéra de Marseille
Author: moiselechat; Tags: TONY PONCET CAVALLERIA RUSTICANA opéra Mascagni
career as a mezzo-soprano in the early 1920s. With growing awareness of her brilliant middle-upper vocal capabilities, she made an important transition to become a lyric-dramatic soprano in the mid 1920s and enjoyed great success as Gioconda, Santuzza, Elena in Mefistofele, the Trovatore and Forza Leonoras and in particular Aida. In fact, she became the most famous Aida of her day in Italy. Such was her prominence in the role that the Teatro alla Scala mounted several performances of Aida ...
career as a mezzo-soprano in the early 1920s. With growing awareness of her brilliant middle-upper vocal capabilities, she made an important transition to become a lyric-dramatic soprano in the mid 1920s and enjoyed great success as Gioconda, Santuzza, Elena in Mefistofele, the Trovatore and Forza Leonoras and in particular Aida. In fact, she became the most famous Aida of her day in Italy. Such was her prominence in the role that the Teatro alla Scala mounted several performances of Aida ...
Author: Scala977; Tags: Arangi Lombardi Donizetti Lucrezia Borgia
career as a mezzo-soprano in the early 1920s. With growing awareness of her brilliant middle-upper vocal capabilities, she made an important transition to become a lyric-dramatic soprano in the mid 1920s and enjoyed great success as Gioconda, Santuzza, Elena in Mefistofele, the Trovatore and Forza Leonoras and in particular Aida. In fact, she became the most famous Aida of her day in Italy. Such was her prominence in the role that the Teatro alla Scala mounted several performances of Aida ...
from Mascagni's Cavalleria Rusticana. Recorded for Italian HMV on 11 June 1925 in Milan. Orchestra and conductor unknown. As the prima donna of Teatro alla Scala in the late 1920s and early 1930s, Cobelli was especially admired as Gioconda, Santuzza, as well as the heavy Wagnerian roles of Sieglinde, Isolde, Brunnhilde and Kundry. Also worth mentioning is that she was specially chosen by Toscanini to sing the role of Princess Eboli in a 1926 revival of Verdi's Don Carlo at La Scala. During ...
From Cavalleria Rusticana with The New Jersey State OPera. Nicole Lorange was the Santuzza. Sorry, no picture; Sillipigni conducted
Author: MaestroJosephShore; Tags: maestroshore opera Verismo New Jersey Silipigni Cav and Pag
Chorégies d'Orange - July 2009 from the pre-dress rehearsal. performances sung by Roberto Alagna Orchestre National de France, Georges Prêtre Stefania Toczyska (Mamma Lucia) Béatrice Uria-Monzon (Santuzza)
Author: ipanema92; Tags: Chorégies d'Orange Philippe Do Cavalleria Rusticana Roberto Alagna Orchestre National de France Georges Prêtre Stefania Toczyska Béatrice Uria-Monzon
"TI QUI SANTUZZA", COMPOSED BY PIETRO MASCAGNI, TAKEN FROM A GENERAL MOTORS RADIO CONCERT OF 1937. THIS WAS BJORLINGS AMERICAN RADIO DEBUT(AGED 26) JERITZA WAS NEARING 40 HERSELF, A RARE PAIRING INDEED.... ENJOY!!!! ... BJORLIN-JERITZA SING -TU QUI SANTUZZA
Author: TAUBERFANLEHAR2; Tags: BJORLIN-JERITZA SING -TU QUI SANTUZZA
